Of Moss and Memory: Intentionally Cultivating Senses

Of Moss and Memory: Intentionally Cultivating Senses

von Anoe Melliou

To cultivate wonder, one must be willing to notice. At its most transcendent, an event aspires to an invisible resonance, an invocation that reaches beyond the immediate spectacle. It seeks not only to capture attention but to awaken a deeper sense of belonging. As a momentary suspension of the ordinary, an intentional gathering can encourage a shared consciousness where the senses are attuned. It recreates an environment that represents its community, drawing out its shifts and amplifying the weight or lightness of the atmosphere.

Greenery, in its ever-evolving aesthetic, grounds us in the present while awakening a collective memory of nature. Event design that engages with the organic, not as embellishment but as interlocutor, achieves an encounter as a reciprocal experience. The physicality of the environment becomes an inquiry.


Nature’s language is visceral and elusive, dramatic, raw, and ethereal. In this sensory narrative of event design, textures are visionary propositions. In the subtle humidity and herbal scent of the moss-covered floor at the Langen Foundation, a temporary installation by Lilo Klinkenberg for Cartier, the botanical sculptures unsettle the linear logic of the space. Similarly, the tablescapes at Vasto Gallery, curated by Jil Zander and Elisabeth Herzog, evoke an otherworldly association.

 

 

At its most compelling, an event doesn’t just attract attendance. It interrupts it, disperses it, and sparks it, creating room for awareness to stretch, for connections to form, and for conversations to emerge. To cultivate the senses is to awaken them, to nurture a state of presence, as a way of being in the now. Design, in this context, is inherently unconcerned with permanence. Its value lies in attunement. To craft an experience is to create the conditions for resonance. It is to trust that lasting impressions are often embedded not in what we see, but in what we feel, often in ways that defy definition.

__
Images: Event for Cartier at Langen Foundation by Lilo Klinkenberg, 2022. “Is this even real?” by Lilo Klinkenberg and BAM Practice, July 2024; Photography by Clemens Poloczek. Table design by Jil Zander and Elisabeth Herzog for New Balance at Vasto Gallery, September 2024; Photography by Shawnee Arvelo.

Explore Latest

  1. Weiterlesen: Annotations cc: Gonzalez Haase AAS
    Annotations cc: Gonzalez Haase AAS

    Annotations cc: Gonzalez Haase AAS

    Judith Haase and Pierre Jorge Gonzalez, following a collaboration in New York, founded the design practice Gonzalez Haase AAS, based in Berlin. Beg...
    Weiterlesen
  2. Weiterlesen: Industrial Design Wrapped: Twelve Voices, One Year
    Industrial Design Wrapped: Twelve Voices, One Year

    Industrial Design Wrapped: Twelve Voices, One Year

    Dear World, the year behind us was structurally complex. Crises accumulated rather than followed one another—geopolitical instability, environmenta...
    Weiterlesen
  3. Weiterlesen: STOFF Nagel and the reinvention of an iconic artefact
    STOFF Nagel and the reinvention of an iconic artefact

    STOFF Nagel and the reinvention of an iconic artefact

    When we speak of artefacts, we refer to objects that do not arise spontaneously from the natural world but take shape through intention: a n...
    Weiterlesen
  4. Weiterlesen: A Domestic Mythology: Exploring Laspi
    A Domestic Mythology: Exploring Laspi

    A Domestic Mythology: Exploring Laspi

    Inside a disciplined and discreetly distorted frame, the myth of a house begins. It is hard to define its origin and end. Weighty walls form the sh...
    Weiterlesen